The Sassy Beauty Goes Viral

Help, My Husband Can't Be a Drama King

When an ordinary wife discovers her husband is actually a drama king, life turns into chaos.

The Return to Capital

Shen Qingtang, the disgraced general's daughter who was exiled a decade ago, returns to the capital posing as a merchant. While running a rouge shop as cover, she secretly investigates her family's massacre, only to clash with imperial censor Pei Jingchen. As their childhood betrothal resurfaces, as political rivals' daughters approach with ulterior motives, and as a mysterious fire destroys crucial evidence—she must choose between vengeance and love. Meanwhile, in the palace shadows, the mastermind behind it all awaits her next move.

Ex's Thousand Tricks

When Sophie, a savvy professional, thinks she's finally escaped the clutches of her ex-boyfriend Leo, she falls into his meticulously orchestrated 'thousand tricks'—from posing as a caring old flame to win her back to framing her for a financial scandal at work, each step dripping with hidden schemes. In a cat-and-mouse game full of twists, Sophie stumbles upon Leo's true motive: not a reunion, but a revenge-driven corporate espionage plot. Torn by emotional conflicts and workplace suspense, she must unravel the truth or lose her career and love. (200 words)

Splendor in White

Renowned surgeon Lin Ziyan, the youngest department head in the hospital, appears impeccable in his white coat yet emotionally detached. His sterile world shatters when Su Qiao—a street-smart con artist known for staging accidents—crashes into his life after a mysterious car crash. As she lands on his operating table with critical injuries, Lin discovers damning evidence linking her to a covered-up medical scandal from three years ago. Was this collision an act of revenge, or a ruthless attempt to silence her by a powerful medical syndicate? Under the blinding surgical lights, white lies and bloody truths unravel stitch by stitch.

Whispers of 1970

In 1970, educated youth Su Man fell in love with Chen Mo, a son of disgraced intellectuals at a northeastern farm. Their romance shattered when an anonymous accusation sent Chen Mo to prison. Forty years later, business tycoon Su Man receives an old pocket watch engraved with Chen Mo's name, containing half a yellowed marriage application. Tracing clues to a nursing home, she finds Chen Mo suffering dementia while murmuring to an empty bed. The chief physician hands her a chilling cassette tape—recording Su Man's coerced betrayal decades ago. As the watch's hands suddenly reverse, rust stains reveal the shocking truth behind the fateful accusation.

Glow in the Ashes

In a countryside summer night filled with glowing fireflies, carefree photographer Chen Feng encounters a mysterious woman, Ye Ying, and they fall in love amidst the shimmering lights. But beneath the romance lurks deadly secrets: Ye Ying is the vengeful ghost of a woman who perished in a suspicious fire 30 years ago, now targeting Chen's family. As Chen uncovers his ancestors' buried guilt, the fireflies begin to fade mysteriously, heralding a curse of revenge. Torn between love and truth, he must choose redemption through forgiveness or succumb to the ashes. This suspenseful, poetic tale of betrayal and passion begs the question: who will emerge into the light?

Mom, I Don’t Want to Love You Anymore

On Lin Xiaoman's 30th birthday night, she slams the birth control pills her mom Su Min hid in her bag onto the table—it’s the Nth time her mom has interfered with her relationship. From tearing up her comic books in elementary school, forcing her to give up painting for accounting in college, to stalking her dates now, Su Min’s “for your own good” feels like a noose choking her. Xiaoman cries out, “Mom, I don’t want to love you anymore,” and slams the door. But three days later, she gets a critical illness notice from the hospital: Su Min was diagnosed with late-stage ovarian cancer a year ago. Those “controls” were just her desperate attempt to teach Xiaoman “how to live alone” in the little time she had left.