The Loafer Who Stole the Show

The Return to Capital

Shen Qingtang, the disgraced general's daughter who was exiled a decade ago, returns to the capital posing as a merchant. While running a rouge shop as cover, she secretly investigates her family's massacre, only to clash with imperial censor Pei Jingchen. As their childhood betrothal resurfaces, as political rivals' daughters approach with ulterior motives, and as a mysterious fire destroys crucial evidence—she must choose between vengeance and love. Meanwhile, in the palace shadows, the mastermind behind it all awaits her next move.

Seventies: My Husband is the Drillmaster

In the 1970s, educated youth Lin Xiao accidentally marries strict military instructor Lu Zhan. She's a free-spirited artist, he's a disciplined soldier - sparks fly in their daily life. When Lin's secret past resurfaces, Lu must choose between duty and love in this turbulent era.

Ten Thousand Raindrops Apart

Meteorologist Cheng Yu discovers her first love Lu Yuan is now the chief engineer of a rival company while developing an artificial rainfall system. As the truth behind the storm that tore them apart a decade ago emerges, their professional rivalry and unresolved feelings collide in the laboratory. Can two drenched hearts bridge the distance of ten thousand raindrops?

Madam's Underworld

By day, she's a demure housewife playing mahjong; by night, she's the feared "Cheongsam Reaper" ruling the underworld. When loan sharks destroy her husband's tea shop, she swaps lipstick for hairpins and beats thugs senseless with a rolling pin. As her double life unravels, her meek husband steps forward with a chilling grin: 'Touch my wife? Have you seen her rolling pin that once crushed eighteen gang branches?' A fusion of identity twists and brutal elegance, this couple's deadly duet will shake both sides of the law.

Untouchable Overbearing CEO

She is the cold and domineering female CEO of a billion-dollar business empire, but unexpectedly finds herself repeatedly challenged by an ordinary clerk. He appears meek yet is fiercely rebellious, testing her authority and limits at every turn. As they clash in the corporate world, an unexpected attraction simmers beneath their rivalry. When secrets begin to unravel, will their battle lead to ruin or redemption?

Even the Spring River Is All Tears

A-Ruan, a boatwoman in an ancient town, has guarded an old wooden boat for three years—it’s her "Spring River Promise" with Lin Shen, a painter. Back then, Lin Shen came to paint the spring river’s evening scenery. They recited the line "Even the Spring River Is All Tears" in the morning mist, and secretly saved words of confession under the fishing lights. But he suddenly disappeared, leaving only half-finished painting *Tears of the Spring River*. One day, A-Ruan found Lin Shen’s notebook under the boat: he’d been diagnosed with leukemia and hid to avoid dragging her down. When she rushed to the dock with the notebook, a familiar bamboo flute sound drifted in the river wind—the boat carrying Lin Shen was sailing through three years of tearful mist, heading straight for her…

Taoyuan's Son-in-Law

Lin Chuan goes undercover as a son-in-law into the Su family of Taoyuan Village to investigate his missing sister. On the surface, Taoyuan is a peaceful utopia, but it hides a greedy vortex over the "Elixir of Immortality"—Madam Su forces him to marry her terminally ill daughter Su Wan under the pretense of "warding off misfortune," actually wanting to use his unique bloodline to unlock the family shrine's secret treasure. While pretending to comply with Madam Su's schemes, Lin Chuan secretly searches for his sister, only to fall for the gentle yet resilient Su Wan. When he learns his sister's disappearance is linked to the Su family's secret, he faces a choice between love and family—he must uncover Taoyuan's truth and protect those he cares about.

You've Ruined Me, You Guys!

Eighteen-year-old Emperor Li Zhao of the Daqi Dynasty falls into a "prank cycle" right after ascending the throne: the maid sent by the Empress Dowager replaces his morning osmanthus cake with laxatives, claiming it's "to clear his bowels"; the Prime Minister's daughter steals his imperial brush to write storybooks about folk unjust cases under the guise of a marriage candidate, saying "His Majesty's brush should write about the common people"; even his personal eunuch swaps his dragon robe for a shrunken version, reasoning "Powerful ministers will guard against you if you wear a fitting robe". Li Zhao wants to punish them, but he catches the maid mending his torn dragon robe with her own money at night, sees the Prime Minister's daughter giving storybook earnings to disaster victims, and the eunuch secretly passing him the powerful minister's secret letter—turns out those who "ruined him" are guarding his original intention in the clumsiest way. But when the powerful minister tries to depose him for "being teased", can Li Zhao reverse the situation with these "troublemakers"?

After Killing the Tyrant, My Arch-Nemesis and I Are Bound

Shen Zhao is an assassin who has lurked beside the tyrant for a decade, plotting to avenge her massacred family. Gu Yan, the Marquis of Zhenbei, appears loyal but has long despised the tyranny. They are bitter arch-nemeses—she once stabbed him, and he once ruined her revenge plan. But the moment their blade pierces the tyrant’s heart, they are suddenly cursed with the "Heart-Binding Gu": if they are more than ten meters apart, excruciating pain wracks their bodies, making even death impossible. Now forced to coexist as "symbionts," Shen Zhao calls Gu Yan a "plague," and he teases her as a "thorn." Yet when remnants of the tyrant’s forces hunt them down and their hidden pasts unravel, they realize: beneath their constant bickering, a quiet heartbeat had already taken root—one neither had dared to admit...

Lead Me Through the Night

Lin Xiaoman, an insomniac, scrapes by as a late-night ride-hailing driver, haunted by guilt over her mother’s death. Her life shifts when she picks up Gu Chuan, a blind pianist—this man, who can’t even distinguish traffic lights, somehow knows about the relics of her mother in the trunk and the old alley she detours to every night. Gu says, "I’m waiting for someone to lead me through the night." But when Xiaoman finds an old newspaper about a three-year-old car accident in his cane, she realizes this "chance encounter" is a mutual journey: she needs to escape her guilt, and he must confront the truth he’s been avoiding.